Decoding the New York Mayor's Style Statement: What His Suit Tells Us About Modern Manhood and a Changing Society.
Growing up in the British capital during the noughties, I was always immersed in a world of suits. They adorned City financiers hurrying through the financial district. You could spot them on dads in Hyde Park, playing with footballs in the evening light. At school, a cheap grey suit was our required uniform. Historically, the suit has served as a uniform of gravitas, signaling power and performance—qualities I was expected to aspire to to become a "adult". Yet, before recently, people my age appeared to wear them infrequently, and they had largely vanished from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an ingenious campaign, he captivated the public's imagination like no other recent contender for city hall. But whether he was cheering in a music venue or attending a film premiere, one thing was largely constant: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—that is, as common as it can be for a cohort that rarely bothers to wear one.
"The suit is in this weird place," notes style commentator Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the rise of business casual."
"It's basically only worn in the strictest locations: marriages, funerals, and sometimes, court appearances," Guy explains. "It is like the kimono in Japan," in that it "fundamentally represents a custom that has long ceded from everyday use." Many politicians "wear a suit to say: 'I represent a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has traditionally conveyed this, today it performs authority in the hope of winning public confidence. As Guy clarifies: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of drag, in that it enacts masculinity, authority and even closeness to power.
Guy's words stayed with me. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Japanese retailer several years ago. When I first selected it, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I suspect this feeling will be all too recognizable for numerous people in the global community whose families come from other places, especially global south countries.
It's no surprise, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's silhouette goes through trends; a particular cut can thus define an era—and feel quickly outdated. Take now: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a considerable investment for something destined to be out of fashion within a few seasons. But the attraction, at least in some quarters, endures: recently, major retailers report suit sales rising more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something special."
The Symbolism of a Mid-Market Suit
Mamdani's preferred suit is from a contemporary brand, a European label that sells in a mid-market price bracket. "Mamdani is very much a product of his upbringing," says Guy. "In his thirties, he's neither poor nor extremely wealthy." To that end, his moderately-priced suit will resonate with the group most likely to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly don't contradict his stated policies—such as a capping rents, constructing affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits naturally with that elite, just as more accessible brands fit well with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a well-known leader's "controversial" beige attire to other world leaders and their notably polished, custom-fit appearance. Like a certain British politician discovered, the suit doesn't just clothe the politician; it has the power to define them.
The Act of Banality and A Shield
Maybe the point is what one scholar calls the "enactment of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, not too casual nor too flashy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't apolitical; historians have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
Such sartorial "code-switching" is not a new phenomenon. Even iconic figures once donned formal Western attire during their formative years. These days, other world leaders have started exchanging their typical military wear for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the struggle between insider and outsider is apparent."
The attire Mamdani chooses is highly symbolic. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under pressure to conform to what many American voters look for as a sign of leadership," says one author, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
But there is an sharp awareness of the double standards applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to adopt different identities to fit the occasion, but it may also be part of his diverse background, where code-switching between cultures, traditions and clothing styles is typical," commentators note. "Some individuals can remain unremarked," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must meticulously negotiate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the dynamic between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to conform to something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in public life, image is not neutral.